Search results for "Schematic model"
showing 6 items of 6 documents
Glass transitions and scaling laws within an alternative mode-coupling theory
2015
Idealized glass transitions are discussed within an alternative mode-coupling theory (TMCT) proposed by Tokuyama [Physica A 395, 31 (2014)]. This is done in order to identify common ground with and differences from the conventional mode-coupling theory (MCT). It is proven that both theories imply the same scaling laws for the transition dynamics, which are characterized by two power-law decay functions and two diverging power-law time scales. However, the values for the corresponding anomalous exponents calculated within both theories differ from each other. It is proven that the TMCT, contrary to the MCT, does not describe transitions with continuously vanishing arrested parts of the corre…
Expectancy in Sami Yoiks revisited: The role of data-driven and schema-driven knowledge in the formation of melodic expectations
2009
This study extends a previous study concerning melodic expectations in North Sami yoiks (Krumhansl et al., 2000) in which a comparison between expert and non-expert listeners demonstrated the existence of a core set of principles governing melodic expectancies. The previous findings are reconsidered using non-Western listeners (traditional healers from South Africa) in a modeling investigation. Comparison of different models made it possible to separate the role of data-driven and schema-driven models in melodic expectancies and to reveal any possible Western bias in previous studies. The results of the experiment, in which African listeners rated the fitness of probe-tones as continuation…
On the interdependence between ground and one-phonon RPA states
1998
Working within a schematic model and in a boson formalism, we provide a descrip tion of the ground and first-excited states of a nuclear system in terms of two independent phonon operators. The description reveals itself quite effective in reproducing the energies of the states. A comparison between these two phonon operators allows us to localize a region where a correct description of these states is compatible with the Random Phase Approximation (RPA) requirement of a single phonon. This region is found to coincide approximately with that spanned by the standard RPA. Outside this region, the two phonons start differing rapidly therefore making the application of the RPA scheme impossible…
Schematic model for narrowΔ(1232)resonances bound in a nucleus
2001
A schematic model explaining the recent evidence for bound states of the $\ensuremath{\Delta}(1232)$ resonance in ${}^{12}\mathrm{C}$ with a width of about 5 MeV found in the ${}^{12}\mathrm{C}{(e,e}^{\ensuremath{'}}p{\ensuremath{\pi}}^{\ensuremath{-}}{)}^{11}{\mathrm{C}}_{\mathrm{g}.\mathrm{s}.}$ is suggested. It interprets the observed narrow resonances as coherent bound states enforcing a fixed phase relation for the rescattering of the decay $\ensuremath{\pi}$'s in the nucleus. The coherent summing of the rescattering diagrams results in a cancellation of the tails of the resonance and a constructive interference in the maximum of the resonance leading to the observed narrow states at t…
Nuclear Contact Times in Dissipative Heavy Ion Collsions Measured Via γ-Ray Spectroscopy
1987
Electron spectra have been measured for elastic and dissipative U + Au collisions at 8.6 MeV/u and analysed within a simple schematic model which describes γ-ray emission in the presence of a nuclear contact time and a total kinetic energy loss (TKEL). A nearly linear dependence of the mean nuclear contact time τ and TKEL was found, reaching τ = 1.1 * 10-21 s with a variance σ = ±0.4 * 10-21 s for a TKEL of (400 ± 50) MeV.
“Waiting for the Bass to Drop”: Correlations Between Intense Emotional Experiences and Production Techniques in Build-up and Drop Sections of Electro…
2014
This study investigates the correlations between theories of intense emotional experiences and production techniques used in the electronic dance music (EDM) sections “build-up” and “drop”, which are designed to build tension and create a heightened emotional intensity among clubbers. This is done by descriptive and interpretive music analysis, where spectrograms and a schematic model visually represent the dominant production techniques. Through a theoretical framework consisting of musical expectancy and gravity, the analysis suggests that i) extensive use of uplifters, ii) the “drum roll effect”, iii) large frequency changes, iv) removal and reintroduction of bass and bass drum and v) a …